The Swedish composer, conductor and record producer, Ludwig Göransson could win another Oscar for Best Soundtrack. The last time on the Dolby Theater stage was five years ago thanks to the music composed for Black Panther, including the famous Lift Me Up performed by Rihanna. Today, second the Sisal experts, is the favorite, at 1,05, for the soundtrack created for Oppenheimer with which he has already won a BAFTA and a Golden Globe. The partnership with Christopher Nolan, with whom he returns to work after Tenet to translate the emotions of the characters in the gripping biopic on the American physicist into sounds, could therefore prove to be a winning one. With Tenet, Ludwig had already received several nominations for important awards such as the Critics' Choice Award, the Golden Globe and the Saturn Award.
The musical research behind Killers of the Flower Moon although far away in price, being offered at 9,00, it appears as the first antagonist and will still remain in the annals to be remembered as the latest collaboration between director Martin Scorsese and his adventure partner: Robbie Robertson. Having passed away this summer and known for being one of the members of the group The Band, as well as one of the 100 best guitarists in the world according to Rolling Stone, thanks to his compositions, Robertson contributed to making iconic masterpieces such as Raging Bull, Casino, Gangs of New York, The Departed, Shutter Island, The Wolf of Wall Street and the most recent The Irishman.
poor things, one of the most discussed and celebrated titles of this year, seems not to have got everyone in Hollywood to agree on its soundtrack. Victory The Oscar for Best Soundtrack is up to 12 and, at the moment, it seems unlikely that he will be able to raise the statuette. Director Yorgos Lanthimos wanted to focus on the very young English musician Jerskin Fendrix to have, for the first time in his films, an original soundtrack. But the task of putting the unique and surreal world of Bella Baxter and the other protagonists to music is as difficult as saying "the first one was good"!
Among the most famous Oscars for Best Soundtrack we will probably remember all those won by great cult films such as The Wizard of Oz, Breakfast at Tiffany's, Flashdance, Titanic, Life is Beautiful, The Postman or more recent successes such as Brokeback Mountain, The Millionaire, La La Land, Neverland or The Lord of the Rings. The same fate should not befalllast chapter of the Indiana Jones saga and to American Fiction who, paired with 25, will have to be satisfied with only the candidacy this year.
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